More Finishes, Major and Minor

First, the Major. The Oak Tree Sample is done! It's not a large a piece, about 8"" x 4", but I am quite pleased with it. Seeing as I can't even remember when I started it, I also count it as a major check-off on the Getting Things Done list and that makes me feel good, quite important on a week that is proving to be full of thorns.

I made only one real change on it, swapping a little cross-stitch motif between my initials and name with a satin-stitched star that I thought picked up on the shape of the eight-pointed star motif above it.
  

I may hem-stitch the thing, partly because I've never done any hemstitching and it would be good for me to learn, partly because I prepared this piece of fabric back in the days when I was using iron-on hem tape and I think  it would be good to that stuff off the fabric and away from the sampler entirely.

The "minor finish" involves an over-due Christmas present. A while back they were handing out a free print at the local library of a painting by Diane Pierce, a Florida artist I admire hugely. I snagged a couple, thinking one would be perfect for my best birding buddy. When Micheal's had a half-price sale on picture frames, and I had a good coupon I could couple with it, I got a basic black frame. The thing would look like Buddy Holly's glasses on Diane's osprey's, so I got a couple of cans of Rustoleum's Hammered Gold spray paint and Bob's Yer Uncle, as they say.

The Frame, ready for its transformation.

A dry and a wet Fly-Lady Rag - my best pals!

I think the final result is quite splendiferous!

Two check-offs on my Things to Get Done List in as many weeks. Yoohoo!

Television Brain

I've been working on "The Oak Tree Sampler." Now that the alphabet is sorted out, I moved on to the central "oak tree" motif. It got way too complicated - and a right royal PICNIC it was too. (In computer help desk parlance, that stands for Problem In Chair Not In Computer.) I was happily working away, but when I stepped back to look at the work, I realized something was wrong. Namely, I'd worked the trunk in the wrong color. All that rust is supposed to be green. Sometimes my seam ripper is my best friend.

I guess I miss fall so much I decided to make it an autumn oak!

So, back to work. But I moved indoors, which meant I was in front of the television. Now I don't watch television as much as I listen to it because I'm usually stitching or knitting when I'm in front of the idiot box. Unfortunately, I tried this while watching a British mystery, Death in Paradise, a piece set on a British protectorate in the Caribbean.. And between the British accents, the island accents, and the fact you're trying to keep track of the clues - the next day when I sat down to stitch, I realized the BBC and cross stitch motifs on linen are not a happy mix.

Heard about your brain on drugs? Well, this is your stitching under the influence of TV.

Then I had a huge debate about the color. It's green. It's okay. But it was bugging me. I even pulled out my thread collection and considered changing it. As I compared the green to the other colors in the piece I could see exactly what the designer was doing, which lead me to seriously question what I was doing. It finally dawned on me what my problem was. The leaves are oak-like. My art training is as a botanical illustrator, and DMC 3363 is not a very oak leaf-like color. I decided to get over myself and stick with the original color. Especially as I had consulted with my sister and she had wisely pointed out that you can only rip out your stitches so many times before your linen starts falling to pieces out of sheer frustration with you.

There is not a thing wrong with that green!

Things seem to be going much more smoothly now.

Sometimes I need close supervision.